An interview with Line Katcho for the album “pulsions” (2015)

 (une version française de cette entrevue ici) Line Katcho works in the fields of acousmatic music, audio visual work and film music. Her primary concerns involve using sound as kinetic matter, representing movement, forces and gestures. Her need for precision is complemented by an experimental approach and a strong interest in perceptual play. She is … Continue reading An interview with Line Katcho for the album “pulsions” (2015)

Une entrevue avec Line Katcho pour l’album « pulsions » (2015)

(the english version of this interview here) Line Katcho oeuvre dans les domaines de la musique acousmatique, de la musique visuelle et de la musique de film. Elle s’intéresse principalement au son en tant que matière cinétique, représentative de mouvements, de forces ou de gestes. Son écriture contrôlée se complémente d’une approche expérimentale et d’un … Continue reading Une entrevue avec Line Katcho pour l’album « pulsions » (2015)

An INTERVIEW with LIZ HELMAN for the album “The Truth Inside”

Liz Helman is a London-based artist and independent curator working across different media, including sound, video, photography and painting. In her time-based media works she explores the psychological and emotional attachment to place and dwelling. Journeying between recollection and reality, she challenges format driven orthodoxies, fragmenting and layering image and sound to consider the experience … Continue reading An INTERVIEW with LIZ HELMAN for the album “The Truth Inside”

An interview with Ezequiel Esquenazi for the album “Conflictos con la metàfora”

  Kr – What brought you to composing experimental music and what draws you to it? -It arose in a natural way. I used to study in the conservatory A. Ginastera and played rock music, the experimental part complemented that. I met a great musician called Jorge Sad in the conservatory who was a teacher of … Continue reading An interview with Ezequiel Esquenazi for the album “Conflictos con la metàfora”

An interview with Preston Beebe and Ryan Packard (4eyes) for the album “Mountain” on Kohlenstoff Records

Kr – How did this project start and what was your first intention? Ryan: We started in February of 2012.  Preston and I both met at McGill where we were doing our master’s degrees in composition and percussion, respectively. Alexandra Fol, a composer in Montreal, asked us to play on her showcase of various Montréal … Continue reading An interview with Preston Beebe and Ryan Packard (4eyes) for the album “Mountain” on Kohlenstoff Records